{"product_id":"pilno-kadro-fotoaparatas-panasonic-lumix-dc-s5m2ne-su-s-r1840-objektyvu","title":"Pilno kadro fotoaparatas Panasonic Lumix DC-S5M2NE su S-R1840 objektyvu","description":"\u003ch2\u003eTrumpai apie prekę\u003c\/h2\u003e\u003cp\u003ePrekė: Pilno kadro fotoaparatas Panasonic Lumix DC-S5M2NE su S-R1840 objektyvu. Kategorija: Veidrodiniai fotoaparatai.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eGamintojas:\u003c\/strong\u003e Panasonic\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eModelis:\u003c\/strong\u003e DC-S5M2NE\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSpalva:\u003c\/strong\u003e black\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eKomplektacija:\u003c\/strong\u003e body + lens\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cb\u003eDC-S5M2NE\u003c\/b\u003e\u003c\/p\u003e\n\u003ch2\u003eLumix full-frame mirrorless camera DC-S5M2 + lens S-R1840 18 – 40 mm\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\u003cb\u003eNew 24,2 MP converter with Dual Native ISO technology and next generation mechanism\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eFast, accurate, reliable autofocus system — AF with phase detection\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eActive image stabilization The advanced video stabilization technology allows you to record footage while walking\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eUnlimited recording in 10-bit C4K\/4K 60p\/50p 4:2:2\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eExplore your creative universe.\u003c\/h2\u003e\u003cp\u003eLUMIX DC-S5IIN (set with S5II body and LUMIX S 18 – 40 mm \/ F4,5-6,3 lens)Advanced features such as PDAF and I.S. (image stabilization) make using the LUMIX S5IIX a truly rewarding experience. Capture high-quality photos and videos with unlimited recording and enjoy greater mobility with this compact, full-frame mirrorless camera.\u003c\/p\u003e\u003ch2\u003e3.0 firmware supports dynamic photo-taking style\u003c\/h2\u003e\u003cp\u003e\u003cb\u003eReady for the most ambitious photo shoots\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003ePhased hybrid autofocus enables continuous shooting with speed and precision, while the highly advanced autofocus on the LUMIX S5II pushes the boundaries of sports, nature and automotive\/motorcycle photography*. In addition, the pre-burst function allows you to go back in time*. Now you can capture the image at the perfect moment.\u003c\/p\u003e\u003ch2\u003eGreat for shooting on the move\u003c\/h2\u003e\u003cp\u003eThe LUMIX S5II also makes it easy to record videos on the move. Active image stabilization detects camera shake and optimizes correction factors to compensate for even significant movement, while advanced digital image stabilization* suppresses distortion at the edges of the image occurring during video recording. So now you can get beautiful shots, even if you have to move quickly when the camera captures the image.\u003c\/p\u003e\u003ch2\u003eFirmware 3.0 introduces the first features of the LUMIX camera\u003c\/h2\u003e\u003cp\u003e\u003cb\u003eVideo recording proxy\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThis new feature records a low bitrate proxy file when recording video. Simultaneous recording of a proxy file, which is associated with the original video recording, enables a faster transition from production to publication.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNative Camera to Cloud integration with Adobe Frame.io\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThe Frame.io Camera to Cloud platform enables you to automatically upload and share photos and videos, as well as back them up and work together in the cloud.\u003c\/p\u003e\u003ch2\u003eHeat management allows for unlimited recording time\u003c\/h2\u003e\n\u003cp\u003eUnlimited recording time in 10-bit 4:2:2 C4K\/4K 60p\/50p* quality. With the compact housing of the LUMIX S5II, comparable to the S5, the new optimized heat dissipation structure allows recording for extended periods of time, even for heavy-duty materials (e.g. high definition video over 4K or HFR video).\u003c\/p\u003e\u003ch2\u003eLUMIX commitment to delivering the highest image quality\u003c\/h2\u003e\n\u003cp\u003eThe new mechanism provides more realistic colors, better resolution and a natural three-dimensional effect, and in combination with Dual Native ISO technology, effective noise suppression even when recording material with high sensitivity, while maintaining fidelity to reproduction even in dark areas.\u003c\/p\u003e\u003ch2\u003eEasy color gradation with REAL TIME LUT\u003c\/h2\u003e\n\u003cp\u003ePhotos and videos with the LUT table used can be recorded internally without special software. Even if you don’t have specialized editing skills, the camera will help you expand your expression range to the desired degree.\u003c\/p\u003e\u003ch2\u003eDurable body for all weather conditions\u003c\/h2\u003e\n\u003cp\u003eThe camera can be used in a wide range of weather conditions. The durable magnesium alloy frame of the main camera structure and the sealing of all connections, knobs and buttons make the camera resistant to dust and splashes*.\u003c\/p\u003e\u003ch2\u003eIntuitive operation\u003c\/h2\u003e\n\u003cp\u003eThe intuitive, properly designed layout and 8-way joystick allow you to intuitively select the focus area with simple one-finger operation, allowing you to shoot quickly.\u003c\/p\u003e\u003ch2\u003eRelated products\u003c\/h2\u003e\u003cp\u003e\u003cb\u003eLenses for high-quality photographic and video expression\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThe LUMIX S series delivers superior optical performance, mobility and handling without compromise. Even after changing the lens, all photos will have a consistent reproduction, resulting in high-quality artwork.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eHigher degree of visual expression\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eEnjoy RAW video data output, ProRes recording, All-Intra video, external USB-SSD recording, and wired\/wireless live streaming for professional video production.\u003c\/p\u003e\n\u003ch2\u003eTYPE\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eType: Mirrorless Digital Camera\u003c\/li\u003e\n\u003cli\u003eLens Mount: L-Mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eIMAGE SENSOR\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eType: 35 mm full-frame CMOS sensor (35,6 mm x 23,8 mm)\u003c\/li\u003e\n\u003cli\u003eEffective pixel count \/ Total pixel count: 24,20 megapixels \/ 25,28 megapixels\u003c\/li\u003e\n\u003cli\u003eAnti-glare coating: Yes\u003c\/li\u003e\n\u003cli\u003eProportions \/ Color filter: 3:2 \/ Basic color filter\u003c\/li\u003e\n\u003cli\u003eDust Reducing System: Die Offset Type\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSCOPE\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eOver 14-step characteristics (V-Log)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003ePHOTOS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFile format: JPEG (DCF, Exif 2.31), RAW\u003c\/li\u003e\n\u003cli\u003eAspect Ratio: 4:3 \/ 3:2 \/ 16:9 \/ 1:1 \/ 65:24 \/ 2:1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eFile size (in pixels) when using full-frame lenses\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e3:2: 6000x4000(L) \/ 4272x2848(M) \/ 3024x2016(S) \/ 12000x8000(XL)* \/ 8496x5664(LL)* *High resolution mode.\u003c\/li\u003e\n\u003cli\u003e4:3: 5328x4000(L) \/ 3792x2848(M) \/ 2688x2016(S) \/ 10656x8000(XL)* \/ 7552x5664(LL)* *High resolution mode.\u003c\/li\u003e\n\u003cli\u003e16:9: 6000x3368(L) \/ 4272x2400(M) \/ 3024x1704(S) \/ 12000x6736(XL)* \/ 8496x4784(LL)* *High resolution mode.\u003c\/li\u003e\n\u003cli\u003e1:1: 4000x4000(L) \/ 2848x2848(M) \/ 2016x2016(S) \/ 8000x8000(XL)* \/ 5664x5664(LL)* *High resolution mode.\u003c\/li\u003e\n\u003cli\u003e65:24: 6000x2208(L)\u003c\/li\u003e\n\u003cli\u003e2:1: 6000x3000(L)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eFile size (in pixels) when using APS-C\/Super 35 mm\u003c\/b\u003e lenses\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e3:2: 3984x2656(L) \/ 2880x1920(M) \/ 2064x1376(S)\u003c\/li\u003e\n\u003cli\u003e4:3: 3536x2656(L) \/ 2560x1920(M) \/ 1840x1376(S)\u003c\/li\u003e\n\u003cli\u003e16:9: 3984x2240(L) \/ 2880x1624(M) \/ 1920x1080(S)\u003c\/li\u003e\n\u003cli\u003e1:1: 2656x2656(L) \/ 1920x1920(M) \/ 1376x1376(S)\u003c\/li\u003e\n\u003cli\u003eImage Quality: RAW \/ RAW+Fine \/ RAW+Standard \/ Fine \/ Standard (High Resolution Mode: Combined \/ RAW \/ RAW+Fine \/ Fine)\u003c\/li\u003e\n\u003cli\u003eColor Space: sRGB, AdobeRGB\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eSLOW \u0026amp; QUICK\u003c\/h2\u003e\u003cp\u003e\u003cb\u003eMOV \/ 59,94 Hz \/ FULL (*¹)\u003c\/b\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003e[FHD] 1920x1080: 59.94p (maximum matrix capacity: 180 fps. \/s)*, 100 Mbps (4:2:0 10 LongGOP bits) (H.265\/HEVC, LPCM) 29.97p (maximum matrix performance: 180 fps. \/s)*, 100 Mbps (4:2:0 10 LongGOP bits) (H.265\/HEVC, LPCM) 23.98p (maximum matrix performance: 180 fps. \/s)*, 100 Mbps (4:2:0 10 LongGOP bits) (H.265\/HEVC, LPCM) * After selecting the frame rate of 151 fps. \/s or greater angle of view narrows.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cb\u003eMOV \/ 59,94 Hz \/ APS-C (*¹)\u003c\/b\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e[C4K] 4096x2160: 29.97p (maximum matrix capacity: 60 fps. \/s), 150 Mbps (4:2:0 10 LongGOP bits) (H.265\/HEVC, LPCM) 23.98p (maximum matrix performance: 60 fps. \/s), 150 Mbps (4:2:0 10 bits LongGOP) (H.265\/HEVC, LPCM)\u003c\/li\u003e\n\u003cli\u003e[4K] 3840x2160: 29.97p (maximum matrix capacity: 60 fps. \/s), 150 Mbps (4:2:0 10 LongGOP bits) (H.265\/HEVC, LPCM) 23.98p (maximum matrix performance: 60 fps. \/s), 150 Mbps (4:2:0 10 bits LongGOP) (H.265\/HEVC, LPCM)\u003c\/li\u003e\n\u003cli\u003e[FHD] 1920x1080: 59.94p (maximum matrix capacity: 180 fps. \/s)*, 100 Mbps (4:2:0 10 LongGOP bits) (H.265\/HEVC, LPCM) 29.97p (maximum matrix performance: 180 fps. \/s)*, 100 Mbps (4:2:0 10 LongGOP bits) (H.265\/HEVC, LPCM) 23.98p (maximum matrix performance: 180 fps. \/s)*, 100 Mbps (4:2:0 10 LongGOP bits) (H.265\/HEVC, LPCM) * After selecting the frame rate of 151 fps. \/s or greater angle of view narrows.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cb\u003eMOV \/ 50,00 Hz \/ FULL (*¹)\u003c\/b\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003e[FHD] 1920x1080: 50.00p (maximum matrix capacity: 180 fps. \/s)*, 100 Mbps (4:2:0 10 LongGOP bits) (H.265\/HEVC, LPCM) 25.00p (maximum matrix performance: 180 fps. \/s)*, 100 Mbps (4:2:0 10 LongGOP bits) (H.265\/HEVC, LPCM) * After selecting the frame rate of 151 fps. \/s or greater angle of view narrows.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cb\u003eMOV \/ 50,00 Hz \/ APS-C (*¹)\u003c\/b\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e[C4K] 4096x2160: 25.00p (maximum matrix capacity: 60 fps. \/s), 150 Mbps (4:2:0 10 bits LongGOP) (H.265\/HEVC, LPCM)\u003c\/li\u003e\n\u003cli\u003e[4K] 3840x2160: 25.00p (maximum matrix capacity: 60 fps. \/s), 150 Mbps (4:2:0 10 bits LongGOP) (H.265\/HEVC, LPCM)\u003c\/li\u003e\n\u003cli\u003e[FHD] 1920x1080: 50.00p (maximum matrix capacity: 180 fps. \/s)*, 100 Mbps (4:2:0 10 LongGOP bits) (H.265\/HEVC, LPCM) 25.00p (maximum matrix performance: 180 fps. \/s)*, 100 Mbps (4:2:0 10 LongGOP bits) (H.265\/HEVC, LPCM) * After selecting the frame rate of 151 fps. \/s or greater angle of view narrows.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cb\u003eMOV \/ 24,00 Hz \/ FULL (*¹)\u003c\/b\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003e[FHD] 1920x1080: 24.00p (maximum matrix capacity: 180 fps. \/s)*, 100 Mbps (4:2:0 10 LongGOP bits) (H.265\/HEVC, LPCM) * After selecting the frame rate of 151 fps. \/s or greater angle of view narrows.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cb\u003eMOV \/ 24,00 Hz \/ APS-C (*¹)\u003c\/b\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e[C4K] 4096x2160: 24.00p (maximum matrix capacity: 60 fps. \/s), 150 Mbps (4:2:0 10 bits LongGOP) (H.265\/HEVC, LPCM)\u003c\/li\u003e\n\u003cli\u003e[4K] 3840x2160: 24.00p (maximum matrix capacity: 60 fps. \/s), 150 Mbps (4:2:0 10 bits LongGOP) (H.265\/HEVC, LPCM)\u003c\/li\u003e\n\u003cli\u003e[FHD] 1920x1080: 24.00p (maximum matrix capacity: 180 fps. \/s)*, 100 Mbps (4:2:0 10 LongGOP bits) (H.265\/HEVC, LPCM) * After selecting the frame rate of 151 fps. \/s or greater angle of view narrows.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eRAW HDMI DATA OUTPUT (*⁵)\u003c\/h2\u003e\u003cp\u003eCompatible external devices: ATOMOS HDMI monitor\/recorder \"Ninja V+\" \/\"Ninja V\" \/ \"Shogun CONNECT\" *Visit the ATOMOS website for information about the appropriate firmware version of ATOMOS Ninja V+, ATOMOS Ninja V or ATOMOS Shogun CONNECT. *To edit RAW video recorded using ATOMOS Ninja V+ or ATOMOS Ninja V, software that supports ProRes RAW format is required. Apply the LUT (mapping table) available on the customer support site below to give the same color gradation as the V-Log\/V-Gamut modes. Blackmagic Video Assist 5\" 12G HDR, Blackmagic Video Assist 7\" 12G HDR *Visit the Blackmagic Design website for information about the corresponding Blackmagic Video Assist 12G HDR firmware version. *DaVinci Resolve or DaVinci Resolve Studio is required to play and edit Blackmagic RAW data. DaVinci Resolve Studio is required to deliver projects that use Blackmagic RAW data with a resolution exceeding 3840x2160. *Depending on the situation, some features may not be available.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eRecording quality \/ 59,94Hz \/ FULL\u003c\/b\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003e[5,9K] 5888x3312 (16:9): 29,97p, 12 bits (LPCM) 23,98p, 12 bits (LPCM)\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cb\u003eRecording quality \/ 59,94Hz \/ APS-C\u003c\/b\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e[4,1K] 4128x2176 (17:9): 59,94p, 12 bits (LPCM) 29,97p, 12 bits (LPCM) 23,98p, 12 bits (LPCM)\u003c\/li\u003e\n\u003cli\u003e[3,5K] 3536x2656 (4:3)\" 29,97p, 12 bits (LPCM) 23,98p, 12 bits (LPCM)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cb\u003eRecording quality \/ 50,00Hz \/ FULL\u003c\/b\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003e[5,9K] 5888x3312 (16:9): 25,00p, 12 bits (LPCM)\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cb\u003eRecording quality \/ 50,00Hz \/ APS-C\u003c\/b\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e[4,1K] 4128x2176 (17:9): 50,00p, 12 bits (LPCM) 25,00p, 12 bits (LPCM)\u003c\/li\u003e\n\u003cli\u003e[3,5K] 3536x2656 (4:3): 50,00p, 12 bits (LPCM) 25,00p, 12 bits (LPCM)\u003c\/li\u003e\n\u003cli\u003eAudio format: LPCM (2 channels, 48 kHz\/24 bits, 96 kHz\/24 bits*) (4 channels, 48 kHz\/24 bits**, 96 kHz\/24 bits**) *After connecting the microphone Φ3,5 mm or DMW-XLR1 (sold separately). **After connecting the DMW-XLR1 adapter (sold separately).\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eVIEWFINDER\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eType: OLED Live View Finder\u003c\/li\u003e\n\u003cli\u003ePixels: Approximately 3.68 million dots\u003c\/li\u003e\n\u003cli\u003eField of View \/ Magnification: Approx. 100% \/ Approx. 0.78x with 50mm lens at infinity; -1.0m-1 when aspect ratio is set to 3:2\u003c\/li\u003e\n\u003cli\u003eEye relief \/ Diopter adjustment: Approx. 21 mm when set to infinity; -1.0 m-1 \/ -4.0 – +2.0 (dpt)\u003c\/li\u003e\n\u003cli\u003eEye sensor: Yes\u003c\/li\u003e\n\u003cli\u003eDisplay speed: 120 fps \/sec \/ 60 cl. \/s\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eREAR DISPLAY\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eType: TFT LCD display with static touch panel\u003c\/li\u003e\n\u003cli\u003eMonitor size: Free-angle, 7.6cm (3 inches), 3:2 aspect ratio\u003c\/li\u003e\n\u003cli\u003ePixels: Approximately 1.84 million dots\u003c\/li\u003e\n\u003cli\u003eField of view: Approximately 100%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFOCUS ADJUSTMENT (*³)\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eType: Phase-detection autofocus system \/ Contrast-detection autofocus system\u003c\/li\u003e\n\u003cli\u003eDFD Technology: Yes\u003c\/li\u003e\n\u003cli\u003eFocus Mode: AFS (Single) \/ AFC (Continuous) \/ MF\u003c\/li\u003e\n\u003cli\u003eAF Mode: Tracking \/ Full AF Area \/ Zone (Vertical\/Horizontal) \/ Zone \/ 1-Area+ \/ 1-Area \/ Pinpoint *Auto detection can be enabled to switch between Human \/ Animal \/ Car (*⁷) \/ Motorcycle (*⁷) modes. Except with Pinpoint enabled.\u003c\/li\u003e\n\u003cli\u003eAF detection range: EV -6 - 18 (F1.4, equivalent to ISO100, AFS)\u003c\/li\u003e\n\u003cli\u003eAF Custom Setting: AF Sensitivity, AF Area Switching Sensitivity, Moving Subject Prediction\u003c\/li\u003e\n\u003cli\u003eAF assist lamp: Yes\u003c\/li\u003e\n\u003cli\u003eAF Lock: Set the Fn button in the custom menu to AF Lock\u003c\/li\u003e\n\u003cli\u003eFocus Ring Control: Non-Linear \/ Linear (90°\/ 120°\/ 150°\/ 180°\/ 210°\/ 240°\/ 270°\/ 300°\/ 330°\/ 360°\/ 720°\/ 1080°\/ Maximum)\u003c\/li\u003e\n\u003cli\u003eOthers: AF-ON, AF-ON: Near, AF-ON: Far, Focus Limiter, Focus Peaking, 1-area AF moving speed, AF micro adjustment, Continuous AF (during movie recording), Focus\/Shutter Priority, Vertical\/Horizontal Focus Switching, AF\/AE Lock Hold, AF+MF, MF Assist, MF Guide, Focus Ring Lock, Show\/Hide AF Mode, AF-Point Scope (*⁶), Shutter AF, Half-press shutter release, Quick AF, Eye Detection AF, Loopback Focus Frame, Magnified Live Display (movie), Touch Shutter, Touch AF\/AE, Touch Pad AF, Lens Focus Resume\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eEXPOSURE CONTROL\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eLight measurement system: 1 728-zone multi-point detection system\u003c\/li\u003e\n\u003cli\u003eLight Measurement Mode: Multiple \/ Centrally Weighted \/ Point \/ Highlighted Weighted\u003c\/li\u003e\n\u003cli\u003eMeasurement range: EV 0-18 (F2,0 lens, equivalent to ISO100)\u003c\/li\u003e\n\u003cli\u003eMode Knob: AE Program (P) \/ AE Aperture Priority (A) \/ AE Shutter Priority (S) \/ Manual Exposure (M) \/ Creative Video (P\/A\/S\/M)* \/ Custom 1, 2, 3, 4 \/ Intelligent Automatic * The same exposure operations are available as in P\/A\/S\/M mode.\u003c\/li\u003e\n\u003cli\u003eExposure compensation: 1\/3 EV step ±5EV (±3EV for movies)\u003c\/li\u003e\n\u003cli\u003eISO Sensitivity (Standard Output Sensitivity): [Normal] Auto \/ 50* \/ 100-51200 \/ 102400* \/ 204800* (Step 1\/3 or 1 EV) * Extended ISO[V-Log] Auto \/ 320* \/ 640-51200 (Step 1\/3 or 1 EV) * Extended ISO [HLG] Auto \/ 400-51200 \/ 102400* \/ 204800* (Step 1\/3 or 1 EV)\u003c\/li\u003e\n\u003cli\u003eDual native ISO: [Normal] Native ISO: 100, 640 Auto: Auto \/50* \/ 100–51200 \/ 102400* \/ 204800* * Extended ISO Low:Auto \/50* \/ 100-800 * Extended ISO High: Auto \/320* \/ 640–51200 \/ 102400* \/ 204800* * Extended ISO[V-Log] Native ISO:640, 4000 Auto: Auto \/320* \/ 640–51200 * Extended ISO Low: Auto \/320* \/640-5000 * Extended ISO High:Auto \/2000* \/ 4000–51200 * Extended ISO [HLG] Native ISO: 400,2500 Auto: Auto \/ 400–51200 \/ 102400* \/ 204800* *Extended ISO Low:Auto \/ 400 – 3200 High: Auto \/ 2500 – 51200 \/ 102400* \/204800* *Extended ISO [Cinelike D2 \/ Cinelike V2] Native ISO:200, 1250 Auto: Auto \/ 100* \/ 200–51200 \/ 102400* \/204800* * Extended ISO Low: Auto \/100* \/ 200-1600 * Extended ISO High:Auto \/ 640* \/ 1250–51200 \/ 102400* \/ 204800* * Extended ISO\u003c\/li\u003e\n\u003cli\u003eAE lock: Set the Fn button in the custom menu to AE lock\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eIMAGE STABILIZATION SYSTEM\u003c\/h2\u003e\u003cul\u003e\u003cli\u003eB.I.S. (5 axes \/ 5 points*) * According to the CIPA standard [direction of deviation: focusing distance f=60 mm when using the S-R2060 lens]. Dual I.S. 2 (6,5 points*) * According to CIPA standard [direction of deviation: focusing distance f=200 mm when using S-E70200 lens].\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003eWHITE BALANCE\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eWhite balance: AWB \/ AWBc \/ AWBw \/ daylight \/ cloudy \/ shadow \/ bulb \/ flash \/ white setting 1, 2, 3, 4 \/ color temperature setting 1, 2, 3, 4\u003c\/li\u003e\n\u003cli\u003eWhite balance adjustment: blue\/amber staining, magenta\/green staining\u003c\/li\u003e\n\u003cli\u003eColor Temperature Setting: 2500 – 10000 K at 100 K\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eSNAPSHOT\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eType: Focal Plane Shutter\u003c\/li\u003e\n\u003cli\u003eShutter Speed: Stills: Bulb (max. 30 minutes), 1\/8,000 – 60 Electronic front curtain: Bulb (max. 30 minutes), 1\/2000 – 60 Electronic aperture: Bulb (max. 60 sec), 1\/8000–60 Movies: 1\/16000–1\/25 Creative Video M mode \/ MF mode: 1\/16000–1\/2\u003c\/li\u003e\n\u003cli\u003eSelf-timer: 10 sec, 3 images \/ 2 sec \/ 10 sec \/ custom time\u003c\/li\u003e\n\u003cli\u003eRemote control: Remote control via DMW-RS2 (sold separately)\u003c\/li\u003e\n\u003cli\u003eSilent Mode \/ Shutter Mode: Yes \/ Yes (Auto \/ Mechanical \/ Electronic Front Curtain \/ Electronic \/ Electronic+NR)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eBRACKETING\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eAE Range: 3, 5, 7 shots in 1\/3, 2\/3 or 1 EV steps, max. ±3 EV, single\/burst\u003c\/li\u003e\n\u003cli\u003eAperture Bracketing: 3, 5 or all positions\u003c\/li\u003e\n\u003cli\u003eFocus Bracketing: 1-999 shots, focus steps can be set in 10 levels\u003c\/li\u003e\n\u003cli\u003eWhite balance range: Three images in blue\/amber axis or magenta\/green axis, color temperature setting\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eTAKING SERIES PHOTOS\u003c\/h2\u003e\n\u003cp\u003e\u003cb\u003eContinuous shooting speed\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMechanical shutter \/ electronic front curtain: H: 9 class \/s (AFS\/MF), 7 frames \/s (AFC) (with Live View) M: 5 cl. \/s (AFS\/MF) (with Live View), 5 fps \/s (AFC) (with Live View) L: 2 cl. \/s (AFS\/AFC\/MF) (with Live View)\u003c\/li\u003e\n\u003cli\u003eElectronic aperture: SH30: 30 fps \/s (AFS\/AFC\/MF) SH30 PRE: 30 frames \/s (AFS\/AFC\/MF) (*⁷) High: 9 grades \/s (AFS\/MF), 8 frames \/s (AFC) (with Live View) M: 5 cl. \/s (AFS\/MF) (with Live View), 5 fps \/s (AFC) (with Live View) Low: 2 cl. \/s (AFS\/AFC\/MF) (with Live View)\u003c\/li\u003e\n\u003cli\u003eNumber of recording images: H\/M\/L* RAW+JPEG: over 200 photos RAW: over 200 photos JPEG: over 300 photos * Until the continuous shooting speed decreases. When recording under test conditions specified by Panasonic . *When using an SD card with a speed class of \"UHS-II Speed ​​Class 3 (U3)\". SH RAW \/ RAW+JPEG \/ JPEG: 200 photos\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFLASH\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFlash type: External TTL flash (sold separately)\u003c\/li\u003e\n\u003cli\u003eSync speed: Less than 1\/250 sec. *Guide number decreases at 1\/250 sec. Only when set to M or S mode.\u003c\/li\u003e\n\u003cli\u003eFlash mode: Auto* \/ Auto\/Red-eye reduction* \/ On force \/ On Force On\/Red-Eye Reduction \/ Slow Sync \/ Slow Sync\/Red-Eye Reduction \/ Off force * Only in iA mode.\u003c\/li\u003e\n\u003cli\u003eFlash sync: Sync on 1st. curtain, sync on 2nd curtain\u003c\/li\u003e\n\u003cli\u003eFlash output adjustment: 1\/3 EV in ±3 EV steps\u003c\/li\u003e\n\u003cli\u003eWireless Control: Yes (When using DMW-FL200L \/ FL360L \/ FL580L (optional)), Wireless Channel: 1ch\/2ch\/3ch\/4ch\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eVIRTUAL ZOOM RANGE EXTENSION\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e2.0x (EX S) (when using full-frame lenses), 1.9x (EX S) (when using APS-C\/Super 35mm lenses), 1.4x (EX M) * Only during still image recording.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eCOLOR SETTINGS\u003c\/h2\u003e\n\u003cp\u003e\u003cb\u003ePhoto styles\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePhoto Styles: Standard \/ Vivid \/ Natural \/ L. Classic Neo \/ Flat \/ Landscape \/ Portrait \/ Monochrome \/ L. Monochrome \/ L. Monochrome D \/ L. Monochrome S \/ LEICA Monochrome (8*) \/ Cinelike D2 \/ Cinelike V2 \/ Like709 \/ V-Log \/ REAL TIME LUT \/ Like2100 (HLG) \/ Like2100 (HLG) Full Range* \/ My Photo Style 1-4 (5-10)* * Set to ON in Show\/Hide Photo Style to select.\u003c\/li\u003e\n\u003cli\u003eImage Adjustment: Contrast \/ Highlight \/ Shadow \/ Saturation \/ Color Tone \/ Tint \/ Filter Effect \/ Grain Effect \/ Color Noise \/ Sharpness \/ Noise Reduction \/ ISO \/ WB \/ LUT *The settings available for adjustment vary depending on the Photo Style mode.\u003c\/li\u003e\n\u003cli\u003eFilter: Expressive \/ Retro \/ Old Days \/ High Key \/ Low Key \/ Sepia \/ Cross Process \/ Bleach Bypass\u003c\/li\u003e\n\u003cli\u003eLUT Library: Vlog_709 \/ Set 1–10 *REAL TIME LUT in Photo Style, Apply LUT in Fn Button, Apply LUT in RAW Processing, LUT View Assist in V-Log View Assist, LUT can be applied from these settings.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eVIDEO RECORDING FUNCTION\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eTime-lapse photography: Yes\u003c\/li\u003e\n\u003cli\u003eStop motion animation: Yes\u003c\/li\u003e\n\u003cli\u003eLive Cropping: Yes (Support cropping from 5.9K (FULL) 30p\/25p\/24p video to 4K\/FHD size)\u003c\/li\u003e\n\u003cli\u003eSS\/Gain Mode: Shutter\/ISO \/ Angle\/ISO \/ Shutter\/dB\u003c\/li\u003e\n\u003cli\u003eLuminance Level: 8 bit: 0-255 \/ 16-235 \/ 16-255 10 bit: 0-1023 \/ 64-940 \/ 64-1023\u003c\/li\u003e\n\u003cli\u003eSync Scan Function: Yes\u003c\/li\u003e\n\u003cli\u003eMaster Pedestal Level: 31 degrees\u003c\/li\u003e\n\u003cli\u003eColor Bars \/ 1 kHz Test Area: Yes (SMPTE \/ EBU \/ ARIB) \/ Yes\u003c\/li\u003e\n\u003cli\u003eLUT Preview: Supported file types: . vlt, . cube Display \/ HDMI\u003c\/li\u003e\n\u003cli\u003eHLG Preview: Display (MODE1 \/ MODE2 \/ OFF ) \/ HDMI (AUTO \/ MODE1 \/ MODE2 \/ OFF )\u003c\/li\u003e\n\u003cli\u003eAnamorphic Desqueeze: 2.0x \/ 1.8x \/ 1.5x \/ 1.33x \/ 1.30x \/ OFF\u003c\/li\u003e\n\u003cli\u003eWaveform Monitor\/Vector Range: Selectable\u003c\/li\u003e\n\u003cli\u003eKnee Control: Yes (in Like709 mode)\u003c\/li\u003e\n\u003cli\u003eRed Recording Frame Indicator: On \/ off\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHORIZONTAL POSITION INFORMATION\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003ePhoto \/ video (OWN. \/ OFF )\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eLEVELLING RATE\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eYes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFUNCTION BUTTON\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eRECORDING: Comp. exposure \/ Dual Native ISO \/ Sensitivity \/ White Balance \/ Photo Style \/ Apply LUT \/ Measurement Mode \/ Proportions \/ Image Quality \/ Image Size \/ Spot Measurement 1 Photo \/ Long Exposure NR\/Min. shutter speed \/ 1 photo RAW+JPG \/ i.Dynamic range \/Color shading compensation \/ Filter effect \/ Disposable AE \/Touch Controlled AE \/ AWB Lock \/ Exposure Mode \/Sync Scan \/ AF Mode \/ AF Detection Setting\/ Object Detection \/Custom AF setting (photos) \/ Custom AF setting (video) \/Focus Limiter \/ Focus Limiter \/ Focus Peaking \/ Focus Limiter \/Focus Peaking Sensitivity \/ 1-Area AF Swipe Rate \/Focus ring lock \/ AE LOCK \/AF\/AE\/AF-ON\/AF-ON LOCK:close \/ AF-ON: to distance \/ Setting focus zone \/Enlarged live display (video) \/ Flash mode \/Flash adjustment \/ Wireless flash configuration \/Setting the drive mode \/ Bracketing \/ Silent mode \/Image Stabilization \/ Shutter Type \/ External. teleconverter \/ Recording - file format \/ Video recording quality \/Video recording quality (my list) \/ Setting slow and fast \/Timecode display \/ Sound information \/Displaying sound recording level \/ Mute sound source \/Adjustable sound recording level \/ Sound recording quality \/Sound recording level limitation \/ 4-channel microphone input \/XLR Microphone Adapter Setting \/ Sound Monitoring Channel \/Image Stabilization \/ Electronic Image Stabilization (Video) \/ Boost I.S. (video) \/ Video area \/ Focus transition \/ Live cropping \/ Q.MENU \/ Recording\/Playback Switch \/ Video Recording \/Video recording (Creative Video mode) \/ Viewfinder\/display switch \/Operation lock \/ Knob operation switch \/ Preview \/Aperture Preview \/ Fixed Preview \/ Level Indicator \/Histogram \/ Point measurement of luminance \/ Video frame marker \/Photo grid lines \/ Improving the quality of live view \/Monochrome Live View \/ Night Mode \/ Viewfinder\/Display Setting \/Display with video priority \/ Zebra pattern \/ LUT View Assist (display) \/LUT View Assist (HDMI) \/ Selection of LUT \/ HLG View Assist (display) \/HLG View Assist (HDMI) \/ Sheer Overlay \/ State Range I.S. Status range \/ WFM \/ Vector range \/ Anamorphic view with Desqueeze function \/Color bars \/ Focus ring control \/ Micro-adjustable AF \/Lens Information \/ Target Card Slot \/ Wi-Fi \/Fan mode \/ Write to custom mode \/No setting \/ Disabled (disable the \"press and hold\" function) \/AF point range (*6) \/ Proxy recording (*7) \/ REAL TIME LUT (*8) \/Restore default settings\u003c\/li\u003e\n\u003cli\u003ePLAYBACK: Magnification from AF point \/ LUT View Assist function (display) \/HLG View Assist function (display) \/ anamorphic view with Desqueeze function \/RAW treatment \/ removal of individual elements \/ protection \/ evaluation 1,2, 3, 4, 5 \/ copying \/ recording\/playback switch \/Viewfinder\/display switch \/ video recording \/video recording (Creative Video mode) night mode \/change of card slot \/ sound monitoring channel \/Wi-Fi \/ fan mode \/ image sending (smartphone) \/LUT View Assist (HDMI) \/ HLG View Assist (HDMI) \/no setting \/ Disabled (disable the \"press and hold\" function) \/Send images to Frame.io platform (*⁷) \/Restore default settings\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003c\/p\u003e\u003ch2\u003eINTERFACE\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eUSB: USB Type-C (SuperSpeed ​​USB 10Gb\/s (USB 3.2 Gen 2))\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eHDMI (*⁴)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHDMI: HDMI Type A Audio: ON \/ OFF, MP4 2ch, MOV: 2ch (when [4ch Mic Input] is off), 4ch (when [4ch Mic Input] is on. )\u003c\/li\u003e\n\u003cli\u003eMonitor Output: 4:2:2 10bit (when [Rec Quality] is set to [4:2:2 10bit] or [4:2:0 10bit]. ) 4:2:2 8 bit (when [Rec Quality] is set to [4:2:0 8 bit]. )\u003c\/li\u003e\n\u003cli\u003ePlayback: 59.94Hz: C4K\/60p \/ C4K\/30p \/ 4K\/60p \/ 4K\/30p \/ 1080\/120p \/ 1080p \/ 1080i \/ 720p* \/ 480p* 50.00Hz: C4K\/50p \/ C4K\/25p \/ 4K\/50p \/ 4K\/25p \/ 1080\/100p \/ 1080p \/ 1080i \/ 720p* \/ 576p* 24.00Hz: C4K\/24p \/ 4K\/24p \/ 1080p * Only during playback.\u003c\/li\u003e\n\u003cli\u003eRemote control input: φ2.5mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eAudio\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBuilt-in microphone: Stereo Wind noise reduction: OFF \/ Standard \/ High\u003c\/li\u003e\n\u003cli\u003eExternal microphone \/ external audio device input: φ3.5mm for external microphone \/ external audio device MIC (Plug-in Power) \/ MIC \/ LINE Wind Reduction: Off \/ Low \/ Standard \/ High *When a 3.5mm microphone (sold separately) is connected. Dedicated Microphone: Stereo \/ Directional *When DMW-MS2 (sold separately) is attached.\u003c\/li\u003e\n\u003cli\u003eXLR Microphone: Yes, with DMW-XLR1 (sold separately)\u003c\/li\u003e\n\u003cli\u003e4-channel microphone input: Yes, with DMW-XLR1 (sold separately)\u003c\/li\u003e\n\u003cli\u003eSpeaker: Mono\u003c\/li\u003e\n\u003cli\u003eHeadphone output: φ3.5mm\u003c\/li\u003e\n\u003cli\u003eSD card slot: Slot 1,Slot 2 SD memory card \/ SDHC memory card* \/ SDXC memory card* *Compliant with UHS-I\/UHS-II UHS Speed ​​Class 3 standard for SDHC\/SDXC memory cards and UHS-II Video Speed ​​Class 90 standard for SDXC memory cards.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTimecode In\/Out socket\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eCounting: Rec Run \/ Free Run\u003c\/li\u003e\n\u003cli\u003eTimecode Mode: Drop Frame \/ Non-Drop Frame mode (at selected system frequency [59.94 Hz]).\u003c\/li\u003e\n\u003cli\u003eHDMI Timecode Output: On \/ off\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAN\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eAuto1 \/ Auto2 \/ Fast \/ Normal \/ Slow* \/ Off** * This option cannot be selected if the resolution is higher than C4K or the frame rate is higher than 60p. ** Off can be set in iA\/P\/A\/S\/M mode.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWIRELESS TECHNOLOGY\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWi-Fi: 2.4GHz bands (STA\/AP) (IEEE802.11b\/g\/n) 5GHz bands (STA) (IEEE 802.11a\/n\/ac) Security: WPA\/WPA2\/WPA3\u003c\/li\u003e\n\u003cli\u003eBluetooth: Bluetooth® 5.0 (Bluetooth Low Energy (BLE))\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eDUST AND SPLASH PROTECTION*\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eYes * Dust and splash resistance does not guarantee that damage will not occur if the camera is exposed to direct contact with dust and water.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003ePOWER\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eBatteries: Lithium-ion battery (7.2V, 2200mAh, 16Wh) (included) USB power supply, USB charging, USB Power Delivery\u003c\/li\u003e\n\u003cli\u003eBattery Life (CIPA Standard): Approx. 370 shots, 1250 shots (LVF in Power Save Mode*) with S-R2060 \/ S-S50 lens * Under Panasonic test conditions based on CIPA standard. When the sleep mode transition time is set to 1 second.\u003c\/li\u003e\n\u003cli\u003eContinuous recording time (movies) (*¹): MP4 [4K\/60p]: Approx. 90 min (APS-C), MP4 [FHD\/60p]: Approx. 130 min (FULL) * With S-R2060 \/ S-S50 lens. With the battery fully charged.\u003c\/li\u003e\n\u003cli\u003eActual recording time (movies) (*¹): MP4 [4K\/60p]: Approx. 45 min (APS-C), MP4 [FHD\/60p]: Approx. 65 min (FULL) *In case of S-R2060 \/ S-S50 lens. With the battery fully charged.\u003c\/li\u003e\n\u003cli\u003eBattery Grip: DMW-BGS5 (sold separately)\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eDIMENSIONS \/ WEIGHT\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDimensions (W) x H x D. ): Approx. 134,3 x 102,3 x 90,1 mm (body itself, without projections) Approx. 134,3 x 102,3 x 157,0 mm (with S-R2060 lens, without projections) Approx. 134,3 x 102,3 x 151,8 mm (with S-S50 lens, without projections)\u003c\/li\u003e\n\u003cli\u003eWeight: Approx. 740 g (body, hot shoe cover, battery, SD x 1 memory card) (without lens cap) Approx. 657 g (body, hot shoe cover) (without lens cap)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWORKING ENVIRONMENT\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eOperating temperature: 0℃ to 40℃\u003c\/li\u003e\n\u003cli\u003eOperating humidity: Relative humidity from 10% to 80％\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eStandard accessories\u003c\/h2\u003e\u003cp\u003eSet DC-S5M2 Body cover, hot shoe cover,handle connector cover with battery, shoulder strap,Battery Set DC-S5M2K \/ DC-S5M2C Body Cover,hot shoe cover, handle connector cover with battery,shoulder strap, battery, lens lid, sunshade,Lens mount cover Set DC-S5M2W Body cover,hot shoe cover, handle connector cover with battery,shoulder strap, battery, lens lid, sunshade x 2,lens mount cover x 2 ･The user manual for advanced functions is available for download on the support page for LUMIX products from Panasonic using a PC,smartphone or tablet connected to the Internet.\u003c\/p\u003e\u003ch2\u003eAttention\u003c\/h2\u003e\u003cp\u003e(*1) Applicable to video recording - Recording stops when continuous recording time exceeds 30 minutes at [6K\/29.97p] [6K\/25.00p] [5.9K\/29.97p] [5.9K\/25.00p] setting when standard temperature management mode is set. - Cards that can be used for recording vary depending on the bitrate of the video and format. Videos with a bitrate of 72 Mbps or less: SD memory card with a speed class Class 10 or a video speed class of Class 10 or more Films with a bitrate of 200 Mbps or less:UHS-I\/UHS-II SD memory card with UHS Class 3 (U3) or Video Speed Class 30 or higher -If the continuous recording time exceeds the following values,A new file will be created to continue recording. Videos with a bitrate of less than 72 Mbps: 30 minutes Videos with a bitrate of 72 Mbps or more: 3 hours 4 minutes - If the file size exceeds the following values, a new file will be created to continue recording. [MP4] in resolution [FHD]: 4 GB [MP4] in resolution [4K]: 96 GB [MOV]: 192 GB (*2) High-resolution audio is only available when using a Φ3,5 mm microphone or DMW-XLR1 adapter (sold separately). (*3) Autofocus Information - Automatic detection is not available to record videos with high frame rates above 60p (100p or 120p). - Tracking and Automatic Detection features are not available when using an HDMI cable or USB connection cable to record videos with high frame rates above 60p (100p or 120p). (*4) Use a Premium High Speed HDMI cable (Type A-Type A plug) to transfer videos in 4K or higher resolution. (*5) The firmware must be updated to version 2.0. A software update key (DMW-SFU2) is required. (*6) The firmware must be updated to version 2.2. (*7) The firmware must be updated to version 3.0. 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